Phoenix and Tiger

Object nr. 715 China, Chu State, Warring States Period (475-221 BC) Height: 99 cm

Provenance:
- Purchased in Hong Kong, 1980's
- Private Collection, The Netherlands 2024

Carbon Test- Groningen University 2019
Condition Report Available

Price on request

This object can be viewed in our gallery.

Phoenix & Tiger

A carved and painted wooden figure of a phoenix standing on the back of a crouching tiger. The various parts of the sculpture - head, legs and antlers -fit into carved holes in the bird’s torso to create the composition. The phoenix’s head arches back, beak slightly open. Its elongated neck runs down to a square body supported by long stilted legs. Two antlers are slotted into its back, which are painted with a geometrical pattern in black. On each side of the body is a protruding wooden square, which may indicate it may have had separate wooden wings, now lost. The phoenix and the tiger both have the original geometrical patterns painted on the body in red pigments. If we look at other similar objects from the same period, we can note that this may have been one of a pair of phoenixes for holding a suspension drum. The slender proportions and seemingly the fragile structure of the bird, raises the question of whether it was utilitarian or had a symbolic function in a tomb.

The phoenix, was of particular importance in Chu imagery, becoming a fundamental symbol in their culture. This mythical bird is associated with renewal, immortality and divine blessings. It embodied harmony and balance, representing opposing natural forces personified in yin and yang. In rituals, the phoenix was believed to act as a divine messenger, linking the human and spiritual realms. Depictions of phoenixes ornamented musical instruments, bronze vessels and lacquerware, often intricately rendered with flowing, dynamic lines to evoke their celestial grace. Tigers symbolized strength, protection and dominance over earthly forces. It was regarded as a guardian of the dead and was often depicted on tomb artifacts to ward off malevolent spirits. In Chu rituals, the tiger’s fierce imagery likely invoked courage and power, perhaps reflecting the state’s military prowess. Its presence reinforced both physical and spiritual protection for the community.

Floris van der Ven

Owner